Thursday, 10 December 2009
Study for Victoria, Midnight; charcoal on brown packing paper
It was Van Gogh who said that night was just as interesting to paint as day, if not more so. I think he was right.
If you ever come round the corner into Terminus Place, as the area outside Victoria Station is called, on a bus, you will notice how the recorded female voice announces it. She says it quite unlike the way she announces any of the other streets.
She says 'Victoria Station' in the voice of a woman who has just had a very good time in bed.
I like the front of Victoria Station at night. It has grime and grandeur; a monstrous wedding cake left out in sooty rain. I've been coming in and out of that station for thirty years and the front always has something new to show me, if only the way the light catches it.
The impression I want to give here is something vertigious, tottering almost, with immensities looming. Some lights still burning but many switched off.
I hope to work it up into something majestic and damned, like England is.
Post budget record, sing in a Scotch accent, if you please.
Here we are again. The money's all gone. Osborne is right when he says that at least in the past when they'd pissed it all away on their bureacratic utopias they had the balls to take the tough decisions. Not this bunch of devious cowards.